Award-winning Work Information & Description
Yiling Prints-Why Call Me Black Peony
Description
This work gives people the spirituality of Yiling prints, and tells from its first-person perspective how Yiling prints are saved from survival and continue to develop and inherit, and how this "intangible cultural heritage" plays its role in the national rural revitalization strategy.. Among them, we compare the inheritors of Yiling prints to their fathers, which vividly reflects their persistence in non-genetic inheritance. The Yiling countryside in Yichang is compared to its mother, on the one hand, because the content of Yiling prints-Yiling rural life is the essence of its creation, on the other hand, it can better show that under the support of the national rural revitalization policy, the face of the countryside has taken on a new look. Finally, in addition to its status as an "intangible cultural heritage", Yiling prints also symbolize a large number of young people returning home today, vividly showing the responsibility and responsibility of the younger generation in the country's rural development. Seeing the big from the small shows the great role of non-heritage resources in helping rural policies in the new era. We hope that through the small epitome of Yiling prints in rural revitalization, we can see the big from the small, and show the great role of intangible cultural heritage resources in helping rural revitalization in the new era. We also hope that more people can see that art and intangible cultural heritage can feed back life. Provide new ideas for the development of intangible cultural heritage and rural revitalization in other regions.