The work mainly takes the spatial characteristics of traditional landscape and ink painting as the starting point, and transforms and integrates the perspective characteristics, spatial composition, painting techniques, brushwork and artistic conception of traditional Chinese painting, breaking the limitation of imitation of traditional Chinese ink painting in the past. Making three-dimensional virtual scenes for in-depth creative thinking, the image of traditional Chinese ink painting for further condensation and refinement. Taking the green landscape in traditional Chinese landscape painting as the visual style, taking the "Living in Fuchun Mountain" as an example, a three-dimensional virtual scene of ink painting style is made. The scene includes standard wood from far to high and low, rocks with different postures, shimmering water, and distant mountains, as well as quiet paths, fishermen on light boats, pedestrians on small bridges, etc, through three-dimensional virtualization technology with Unreal Engine (Unreal) vividly depicted. Works mainly show such as the following: 1. This paper analyzes the spatial characteristics, brushwork, ink method, chafing method and frequently painted elements of paper-based ink painting, and then analyzes the spatial characteristics, painting techniques and scene elements in Fuchun Mountain Residence, independently designs the rice paper effect and uses three-dimensional virtualization technology to restore the long chafing hemp method and flat pine method of Fuchun Mountain Residence, thus solving the limitation of imitation of traditional ink landscape painting in the past. 2. Analyzed the characteristics of green landscape and monochrome ink, designed a combination of green landscape and monochrome ink style, summed up the use of Fresnel method to produce the ink effect. 3. Taking the spatial characteristics of ink landscape painting as the starting point, the perspective observation method is used to carry out the spatial layout of Fuchun Mountain Residence, and the spatial characteristics of the three-dimensional virtual scene are given the spatial extensibility outside the picture. 4. Innovatively combine the green landscape style with the paper ink effect of "Fuchun Mountain Residence" itself, and incorporate the elements of three-dimensional animation. Two kinds of character animation, three kinds of animal animation and camera animation are added to the scene, so that the content is changed from "static" to "dynamic", making the scene more colorful and solving the sense of silence brought by three-dimensional reconstruction.